Having missed the exhibition “Caillebotte, peintre et jardinier” in Giverny and later become aware of its move to Madrid’s Museo Thyssen-Bornemisza, I did not think twice to go on a long weekend with visit of 2 major museums, the Prado and Thyssen-Bornemisza, which I had visited several times but in the 1990s, on top of the exhibition.
A round trip by TGV & AVE, with the surprise to travel with the same 3 pleasant companions both times, between Paris and Barcelona, and to learn that Mr. Bouju senior could have been one of my literature teacher at the lycée Henri IV, exchanging numerous memories, and showing them the caricatures drawn by my friend Jean-Claude Terrasse there.
During the summer of 2016, the Halle Saint Pierre in Montmartre hosted the exhibition L’Esprit Singulier, with works from the collection of Auberive Abbey. If certain artists present in the collection were missing in Paris – like the great Egyptian born painter Ibrahim Shahda or the Spaniard Antonio Saura – visitors could see several major contemporary artists and some good surprises.
The Petit Palais has organized a retrospective of the painter, entitled George Desvallières – La peinture corps et âme.
George Desvallières had a privileged relationship with Gustave Moreau, one of the major figure in Symbolist painting, steeped in mysticism, but also a renowned professor, whose students include Matisse, Marquet, Georges Rouault, Louis Valtat, Henri Manguin and Charles Camoin…
The exhibition focuses on the paintings that Jonas Netter, an inspired art collector, acquired from art dealer Léopold Zborowski. He was one of the first to buy paintings by Amedeo Modigliani (with Paul Alexandre) – acquiring some 40 paintings in about 15 years – and Chaim Soutine before the famous Barnes episode.
But his collection – and the exhibition – goes well beyond these 2 masters and includes works by Maurice de Vlaminck, André Derain, and artists who made up the Paris School: Maurice Utrillo (there are also paintings by his mother Suzanne Valadon), Moise Kisling,Pinchus Krémègne,Michel Kikoine, and less famous artists. Continue reading →
If you ask anyone about “Leonardo” and “Le Louvre”, the answer will invariably be “La Joconde (Mona Lisa)”.
It is present through an alternate version from the master’s studio, but it is Leonardo’s master-work The Virgin and Child with Saint Anne which is the centerpiece of this exhibition. Da Vinci started working on it in 1501 and left it unfinished upon his death 18 years later. After long years of restoration works, it is finally possible to see this large painting on display with all surviving related works: sketches, preparatory drawings, alternate versions, including the famous Burlington House cartoon. Continue reading →